Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Pieter de Hooch
Mutter an der Wiege, Detail
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ID: 83079

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Pieter de Hooch Mutter an der Wiege, Detail


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Pieter de Hooch

1629-1684 Dutch Pieter de Hooch Galleries De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. He studied art in Haarlem under the landscape painter, Nicolaes Berchem. Beginning in 1650, he worked as a painter and servant for a linen-merchant and art collector named Justus de la Grange. His service for the merchant required him to accompany him on his travels to The Hague, Leiden, and Delft, to which he eventually moved. It is likely that de Hooch handed over most of his works to la Grange during this period in exchange for board and other benefits, as this was a common commercial arrangement for painters at the time, and a later inventory recorded that la Grange possessed eleven of his paintings. De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were both early members of the Delft School. He became a member of the painters' guild of Saint Luke in 1655, and had moved to Amsterdam by 1661. The early work of de Hooch, like most young painters of his time, was mostly composed of scenes of soldiers in stables and taverns, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter. After beginning his family in the mid-1650s, he switched his focus to domestic scenes and family portraits. His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch. 19th century art historians had assumed that Vermeer had been influenced by de Hooch's work, but the opposite is now believed.   Related Paintings of Pieter de Hooch :. | The Courtyard of a House in Delft | The Morning of a Young Man | Woman Drinking with Two Men and a Maidservant | Dune Landscape | A Woman Peeling Apples |
Related Artists:
Frans Floris de Vriendt
c.1517-70, Flemish painter
Giulio Quaglio
(1610-1658 or after) was an Italian painter of frescoes. He was a follower of Tintoretto. He is known to have worked in Vienna, Salzburg, and Ljubljana. His son, Giulio the younger, was born in Como and established himself in the Friuli about the end of the 17th century. He is best known for frescoes at the chapel of the Monte di Piete, at Udine. He died in 1720. They are both part of a large family of artists and architects from the town of Laino, between Lake Garda and Lake Como, and which included Giuseppe Quaglio and his sons Lorenzo the younger, Simon, and Domenico; Lorenzo Quaglio the elder; and Giovanni Maria Quaglio and his son.
Octave Tassaert
Paris 1800-1874 was a French painter of portraits and genre, religious, historical and allegorical paintings, as well as a lithographer and engraver, though this family was of Flemish origin. He was the grandson of the sculptor Jean-Pierre-Antoine Tassaert. Octave's first artistic training came from his father Jean-Joseph-François Tassaert (1765-c. 1835) and his older brother Paul (?-1855), before he was apprenticed to the engraver Alexis-François Girard (1787-1870). Next he studied at the École des Beaux-Arts (1817-25) from 1817 through 1825, under Guillaume Guillon-Lethi??re, but never won the school's Prix de Rome. Winning popular but not critical success, his works showing poor people's lives were felt melodramatic by critics but acclaimed by the public. His submission to the 1855 World Exhibition was well received by the critics, but Octave ceased to exhibit after the 1857 Salon, withdrawing more and more from the formal art world. Collectors of his works included Alfred Bruyas and Alexandre Dumas, fils, but in 1863 Octave stopped painting altogether and tried to become a poet (though none of his works are extant),






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